London / Paris

Hello!!!

Well, its been a while….are you still there?!!

OK, to get you up to speed, here’s 2012 to date…

In Vino Veritas, Arthouse, Lewisham, April 25th-May 6th 2012

Well, in April, In Vino Veritas, our first collective show (of only our work) opened at Arthouse in London. The private view did not disappoint, with a healthy turnout, the subject of our show in attendance with his family and his wine, an impromptu music performance and a cake that got as much attention as our photographs. (it seems no-one outside the north-east has seen photos printed onto sugar paper!) You can see more about it here.

We returned from London, then, hitting the ground running we took part in International Arts Residency, Nomadic Village 2012. It just so happened that the residency was on our doorstep……..but hey, international artists have to live somewhere! With borrowed accommodation, a caravan with swanky awning for Richard and Lucy, and a 1968 VW camper for me……we enjoyed the only sunny week of the year, tested out Richards ‘office in a van’ complete with standard lamp,  collaborated with NPIA, a forensic training centre resulting in 20 kids and a journalist dressing up as CSI’s and combing the site for evidence of travel, and made new work entitled Foreign Bodies.

Students searching for evidence of travel at Nomadic Village under the watchful eye of NPIA instructor, Phil Grieveson. Some evidence collected was used in our Foreign Bodies installation.

You can read more here. Foreign Bodies was then reconfigured, using forensic evidence bags into a touring format, and joined our Captain Klaus on a tour through Europe back to Austria.

Meanwhile…..elsewhere in May……our 2011 work for Collectives Encounter was invited to stroll over to Poland for FOTOFESTIWAL 2012 in LODZ. The multimedia piece created as part of Re:Mapping The Flaneur was shown at The Collective Space alongside Sputnik Photos, NOOR, TerraProject and Verso, the latter two collectives coincidentally contributed to our original Flanerie.

So, catching up now……..and there’s still time to see this……Richard’s Lost Waltz , an outdoor installation curated by Wideyed and Human Endeavour is showing at the Brighton Photo Fringe and has been extended until 27th November.

Richard Glynn's Lost Waltz at The North Lawn, St Peters Church for Brighton Photo Fringe

Finally, and more on this in a bit. In Vino Veritas is heading to Paris! ……..very soon….

 

Hello

Well.

Things have been pretty quiet around here for several months now, and for good reason – we’ve been really busy.

For example, not long after the previous post we were accepted on ERDF funded training at Teesside University’s DigitalCity, and in December began learning how to set up and run a new WP website with the very patient and multi-talented Steve Thompson.

Steve is also Cultural Ambassador in Teesside for the Independent Republic of Užupis, and in January introduced us to the Minister of Foreign Affairs for Užupis, Tomasz Czepaitis, during his brief visit. I had a visa stamped in my passport, and I’m looking forward to using it sometime.

Anyway, thanks to Steve we now have a spanky new website. We haven’t had much time to play with it yet, so for the moment it’s not much more interesting than the previous site – except it has this integrated blog, which is just what we always wanted!

And things are about to get even busier for Wideyed, as we have an exhibition and an international residency coming up fast… And we’ve some other news too, but hey, let’s spread it out a bit 😉

Back soon!

Aller-retour

So we all got back from France about three weeks ago, took some time for a breather, and then last Sunday met up again to debrief, start going through the images we’d brought back, and begin planning our next moves.

This was the second year in a row we were artists-in-residence at Château du Perron, and taking back with us some kind of exhibition, so we could show people the work we did the year before, seemed a good idea, but why a newsprint exhibition? As well as wanting to try out Newspaper Club, we figured we needed something that was relatively quick and inexpensive to produce, easy to transport, and that could be hung almost anywhere without much fuss, so newsprint seemed to fit the bill. The fact that the exhibition also worked well as a publication was a bonus.

We had a lot of fun with it too (and these are just a few of the pictures we took of it, there are more on Facebook and Flickr). The exhibition it was originally intended for was hung in front of giant wine barrels in a different part of the same working barn we exhibited in last year. Richard played with it outside, pegging it out on the château’s washing line. I photographed Richard with it on the terrasse of a café in the neighbouring town of Richelieu. And we offered a copy as a prize in the château tombola – the lady flicking through it in the picture below was the winner.

As I wrote previous post, we had just ten copies printed. Two were used for the exhibition. One was a tombola prize. We sold three, gave two as gifts, and left one as a promo with the gallerist we met with when we went to Paris. So we only have one left… About a week ago we showed it to someone whose judgement we trust, and they gave us some very positive feedback, so we’re now seriously considering reprinting and making the copies available to buy – we need to fundraise for our exhibition in London somehow, might selling newspapers help?

The problem is that Wideyed doesn’t have the funds to finance another print run of any size. The only way we can afford to re-edition the newspaper is to take pre-orders. We’re not sure how to successfully go about doing that… but while we’re mulling it over the newspaper is available to view online at www.newspaperclub.com/wideyed

Our exhibition, ‘In Vino Veritas’, will run from 25th April – 5th May 2012 at Art House in London, with a preview event on 27th April (times TBC). We’ve got six months to prepare and we’ve got lots of ideas about what kind of exhibition it could be, so we’ll be talking about it more here as things progress.

Meanwhile, if anyone has any thoughts or advice about selling newspapers, or would just like to buy one even, please let us know!

Cheers, Lucy

France redux

Well, here we go again – like this time last year, Wideyed are heading back to France.

It won’t be exactly the same as last year though. This time we’re taking some newspapers. Loosely inspired by Rob Hornstra’s ‘On the Other Side of the Mountains‘, with some of our 2010 images we’ve put together a newspaper that we hope will also work as a newsprint exhibition.

I’ve been obsessing about newsprint since January 2009, so it’s about time we finally found a good reason (and the means) to use Newspaper Club. Our newspapers are 64 page monsters but there are only 10 copies – two are for our archive, two will be somehow hung as an exhibition at the château where we’ll be in residence again, and the other six? Not sure. We may just drop them in local cafés and sneaky photograph people looking at them. Or something.

Wideyed has also just invested in a projector that has a pretty decent throw. We think we might be able to use the façade of the château as a screen. When we mentioned this to François (our host), he instantly requested anything Wallace and Gromit, so we might be doing a bit of impromptu open air cinema too.

And who knows what else might happen?

Back early October!

Cheers, Lucy

Mapping the Re:Mapping

Will this be the final post about our and ASA Collective’s adventures with Mapping and Re:Mapping Flâneurs?

The Newcastle Arts Centre exhibition ended on Saturday, and Wideyed took it down on Monday. Some lovely comments had been left on the blank index cards in the filing cabinet, for example:

A most delightful journey!

Great, but it feels like it needs to ‘grow’… The rolls need to keep unfurling.

The Flâneur, today this is me. Interesting to see what the rest of the world is up to, much sadness but some bright spots.

Inspiring use of technology, brilliant photography, very brave approach!

A fantastic concept concisely and attractively articulated through exhibition. Brings fantastic images from many countries into a cohesive, imaginative and thought provoking whole. Nice!

Someone even did a little drawing for us! But my personal favourite is “It’s awe-inspipiring – Oliver, age 10

Anyway, while the exhibition was up we filmed as well as photographed it, and we also shot some footage of the private view on 24th July, which we’ve finally got round to editing and posting here.

It really has been an adventure. Many thanks again to everyone who shared it with us.

Meanwhile, Louise Taylor

Anyone who’s read this blog anytime over the past six months or more, would be forgiven for thinking that Wideyed has been doing little other than Mapping and Re:Mapping Flâneurs. That’s not quite true… it’s just that we’ve I’ve been a bit rubbish at sharing other news.

For example, at the end of May we should have mentioned that, with Clarita Lulic, Adam Brown, Damien Wootten and Richard Stout, Louise was awarded one of five North East Photography Network Development Bursaries! She plans to put the bursary money towards completing her hunting project ‘Shoot!’.

And Lou has been busy doing other things too, like starting a new project. Last month it was her turn to post an image on the front cover of Wideyed’s website, and the one chosen was drawn from the first photos made in the beginnings of this body of work (see first image below). But there’s a little more to it than that, so I asked her to explain for the blog – over to Lou!

Hi Lucy,

OK, here goes…..

I had some work done on my house recently, and one of the builders I employed has another life as the owner of a Clydesdale Stud. Gary and his wife, who live near me in Tow Law, breed and show their horses, and travel all over the country to compete with fellow Clydesdale enthusiasts. 

The Clydesdale is a native breed to Scotland, dating back to the mid 18th Century, and traditionally they were used for farm work. Modernisation and tractors caused these working horses to become almost redundant, and the breed’s numbers dwindled until, in 1975, the Clydesdale was categorised by the Rare Breed Survival Trust as ‘vulnerable’. Recently there’s been a small increase in numbers again, and it’s now categorised as just ‘at risk’.

I’m interested in this breed of horse, and the people who choose to own them. At this stage I’m not entirely sure of what it is that I want to document though. I think I’m drawn to the fact that it’s enjoying a revival as people become increasingly aware of more sustainable practices in farming, and new generations relearn the skills to work these animals again, generally in environmentally sensitive areas, like logging. 

I started photographing over a month ago, and last weekend put up a poster-size photo installation at a show in my village as a means of breaking the ice with Clydesdale owners – to act as an introduction, get people chatting, and hopefully help me find a way in to what I want to do. 

It’s a start…..and even just writing this down has helped me to think about the direction that I want to take.

Woooo!

Louise

All images © Louise Taylor 2011. The top image is from the series ‘Horse Power’ (working title), and the other one is an installation shot of Lou’s guerilla exhibition at the horse show in Tow Law, County Durham, Sunday 3rd July.

And yes, she hung the prints with magnets, Wideyed style… 😉

Cheers, Lucy

Re:Mapping the Flâneur on show now

ASA Collective joined us in Newcastle on Monday so we could all hang our collaborative exhibition, ‘Re:Mapping the Flâneur’, ready for it to open yesterday.

The show comprises three of the 40m long prints made during ‘Mapping the Flâneur’ at Derby in March 2011: in the installation shot below, you can see one of these running around the wall on the left, with the other two hanging along the centre. On the remaining wall (below right and above) is a 13m long print we made especially for the exhibition: this has a reprint of the last 40 images sent to us for the Derby installation, followed by 20 mock index cards, one for each participating collective, that include the names and logos of each collective and their photographers, websites and other useful information. These ‘cards’ (see above top right) also show the location of each collective, and they’re all arranged for the print in the order of timezones (i.e. GMT in the centre, the Americas on the far left through western Europe and Africa to eastern Europe on the far right).

More installation shots can be found here, and practical information, including the invitation to the private view (6pm on 24th June 2011) can be found here.

The exhibition closes 5pm on Saturday 25th June. Come and see it!