Category: exhibitions

All Work and No Play

6 Feb - 14 Aug 2016, Grafters - Industrial society in image and word @ PHM. Demolition men, Newcastle. Jimmy Forsyth, 1956. Courtesy of Tyne and Wear Museums

All Work and No Play is an open submission exhibition showcasing the work of a selection of artists, photographers, poets and filmmakers who have responded to the themes and images of the current changing exhibition Grafters: Industrial society in image and word.

All Work and No Play includes works by Julie Edwards, Nat Wilkins, Steve Talbot, Huma Arshad Khaliq, Ian Vines, Mandy Rathbone and David Rogers, Lizzie King, Mei Yuk Wong, Julia Parks, Steve Judson, Bianca Cork, Nigel Slight, Digital Works, and Wideyed’s Lucy Carolan and Richard Glynn, who are showing the video element from their exhibition project Therblig.

5 March 2016 — 15 May 2016, 10:00 – 17:00

The Journal Culture Awards 2013

We’re delighted to be named as one of the three finalists in the “Best Arts and Business Partnership” section of The Journal Culture Awards 2013 for ‘Therblig’. Realised in partnership with SCA at Prudhoe, this exhibition has been exhibited as part of FORMAT13 at the New Art Exchange, Nottingham and at  the Fuse Media Centre, Prudhoe.

More information including a list of all the finalists can be found here.tumblr_n1v5ekCS6C1qij2hqo1_500

In Vino In Print

If you are unable to make it over to Paris to see In Vino Veritas at Mois de la Photo-OFF then don’t worry! Because, earlier this year we published these newspapers. For £10.50 + p&p you can have a copy posted right to your door!

Scroll through the pages here

You can save postage of course by arranging to meet us in Paris! We will be there until 26th November

Aller-retour

So we all got back from France about three weeks ago, took some time for a breather, and then last Sunday met up again to debrief, start going through the images we’d brought back, and begin planning our next moves.

This was the second year in a row we were artists-in-residence at Château du Perron, and taking back with us some kind of exhibition, so we could show people the work we did the year before, seemed a good idea, but why a newsprint exhibition? As well as wanting to try out Newspaper Club, we figured we needed something that was relatively quick and inexpensive to produce, easy to transport, and that could be hung almost anywhere without much fuss, so newsprint seemed to fit the bill. The fact that the exhibition also worked well as a publication was a bonus.

We had a lot of fun with it too (and these are just a few of the pictures we took of it, there are more on Facebook and Flickr). The exhibition it was originally intended for was hung in front of giant wine barrels in a different part of the same working barn we exhibited in last year. Richard played with it outside, pegging it out on the château’s washing line. I photographed Richard with it on the terrasse of a café in the neighbouring town of Richelieu. And we offered a copy as a prize in the château tombola – the lady flicking through it in the picture below was the winner.

As I wrote previous post, we had just ten copies printed. Two were used for the exhibition. One was a tombola prize. We sold three, gave two as gifts, and left one as a promo with the gallerist we met with when we went to Paris. So we only have one left… About a week ago we showed it to someone whose judgement we trust, and they gave us some very positive feedback, so we’re now seriously considering reprinting and making the copies available to buy – we need to fundraise for our exhibition in London somehow, might selling newspapers help?

The problem is that Wideyed doesn’t have the funds to finance another print run of any size. The only way we can afford to re-edition the newspaper is to take pre-orders. We’re not sure how to successfully go about doing that… but while we’re mulling it over the newspaper is available to view online at www.newspaperclub.com/wideyed

Our exhibition, ‘In Vino Veritas’, will run from 25th April – 5th May 2012 at Art House in London, with a preview event on 27th April (times TBC). We’ve got six months to prepare and we’ve got lots of ideas about what kind of exhibition it could be, so we’ll be talking about it more here as things progress.

Meanwhile, if anyone has any thoughts or advice about selling newspapers, or would just like to buy one even, please let us know!

Cheers, Lucy

France redux

Well, here we go again – like this time last year, Wideyed are heading back to France.

It won’t be exactly the same as last year though. This time we’re taking some newspapers. Loosely inspired by Rob Hornstra’s ‘On the Other Side of the Mountains‘, with some of our 2010 images we’ve put together a newspaper that we hope will also work as a newsprint exhibition.

I’ve been obsessing about newsprint since January 2009, so it’s about time we finally found a good reason (and the means) to use Newspaper Club. Our newspapers are 64 page monsters but there are only 10 copies – two are for our archive, two will be somehow hung as an exhibition at the château where we’ll be in residence again, and the other six? Not sure. We may just drop them in local cafés and sneaky photograph people looking at them. Or something.

Wideyed has also just invested in a projector that has a pretty decent throw. We think we might be able to use the façade of the château as a screen. When we mentioned this to François (our host), he instantly requested anything Wallace and Gromit, so we might be doing a bit of impromptu open air cinema too.

And who knows what else might happen?

Back early October!

Cheers, Lucy

Mapping the Re:Mapping

Will this be the final post about our and ASA Collective’s adventures with Mapping and Re:Mapping Flâneurs?

The Newcastle Arts Centre exhibition ended on Saturday, and Wideyed took it down on Monday. Some lovely comments had been left on the blank index cards in the filing cabinet, for example:

A most delightful journey!

Great, but it feels like it needs to ‘grow’… The rolls need to keep unfurling.

The Flâneur, today this is me. Interesting to see what the rest of the world is up to, much sadness but some bright spots.

Inspiring use of technology, brilliant photography, very brave approach!

A fantastic concept concisely and attractively articulated through exhibition. Brings fantastic images from many countries into a cohesive, imaginative and thought provoking whole. Nice!

Someone even did a little drawing for us! But my personal favourite is “It’s awe-inspipiring – Oliver, age 10

Anyway, while the exhibition was up we filmed as well as photographed it, and we also shot some footage of the private view on 24th July, which we’ve finally got round to editing and posting here.

It really has been an adventure. Many thanks again to everyone who shared it with us.

Re:Mapping the Flâneur on show now

ASA Collective joined us in Newcastle on Monday so we could all hang our collaborative exhibition, ‘Re:Mapping the Flâneur’, ready for it to open yesterday.

The show comprises three of the 40m long prints made during ‘Mapping the Flâneur’ at Derby in March 2011: in the installation shot below, you can see one of these running around the wall on the left, with the other two hanging along the centre. On the remaining wall (below right and above) is a 13m long print we made especially for the exhibition: this has a reprint of the last 40 images sent to us for the Derby installation, followed by 20 mock index cards, one for each participating collective, that include the names and logos of each collective and their photographers, websites and other useful information. These ‘cards’ (see above top right) also show the location of each collective, and they’re all arranged for the print in the order of timezones (i.e. GMT in the centre, the Americas on the far left through western Europe and Africa to eastern Europe on the far right).

More installation shots can be found here, and practical information, including the invitation to the private view (6pm on 24th June 2011) can be found here.

The exhibition closes 5pm on Saturday 25th June. Come and see it!


Re:Mapping the Flâneur

Image © Srinigas Kuruganti

It’s now 6 weeks since FORMAT11 ended. It took a while for everyone at ASA Collective and Wideyed to get over Mapping the Flâneur (it was a lot of hard work!), and then start digesting the experience…

Over the month that Mapping the Flâneur took place, 97 photographers from 20 collectives around the world contributed just over 700 of their images to the installation project. 700 images in a month might not seem like a lot in a world where thousands of pictures are uploaded to online image sharing sites every minute. But when you’re processing 700 images, publishing them with credits and captions to a tumblr site and sending them to print in a gallery, all one by one, believe us, it’s a lot. And at the end of the exhibition, we discovered we’d used 5 rolls of 40m long paper, totalling 200m, for the installation. Those are big prints.

As part of the application process for ACE G4TA grants, there’s a section dedicated to evaluation – ACE ask how you plan to monitor the progress of your work from start to finish, and consider its potential impact beyond. When you first start considering this, the most obvious measurements of achievement are quantifiable things like the numbers of visitors to the exhibition, press clippings and web hits; for example, based on the figures supplied to us by FORMAT, we estimate that 2,500-2,700 people saw Mapping the Flâneur in Derby. After that, there are things like written comments and word-of-mouth feedback, evaluation forms and SWOT analyses…

But it also occurred to us that, at the close of the exhibition, a large number and variety of images would have been received, and the potential to successfully re-curate these into another object – another exhibition, say – would be the most interesting measure of the quality of the project.

And that’s exactly what we’re about to attempt.

This is the gallery in Newcastle where we’ll be re-exhibiting Mapping the Flâneur – or Re:Mapping the Flâneur. The gallery is part of Newcastle Arts Centre, which 100 years ago was a department store, and the arched ceiling is a restored original feature. Given that the piece of work we’ll be exhibiting there was directly inspired by Walter Benjamin’s ‘The Arcades Project’, the fact that we’ll be using a space that not only looks like an arcade but was also used as a commercial space like one, is fantastic.

And this is roughly how we plan to use that space. Although the gallery is large, it’s nowhere near big enough to display five 40m long prints, so we’ll exhibit the best parts of three, and with these try to give an impression of the lengths of the prints and the scale of the original project they were produced in. The index card filing cabinet we used in the Collectives Encounter exhibition will make a reappearance, and we’ll also produce a 13m long print, especially for this show, as a means of introducing some context (information about the Derby installation, the photographers that took part and their collectives, and so on).

In addition, our collaboration with ASA Collective continues, as we’re working to transform all the images we received into something that can be screened or projected. Our hope is that any of the other collectives involved in this project can then take ownership of this piece, by showing it themselves if they wish. That they might take it for a walk…

The exhibition will run from 14th – 26th June 2011 at Newcastle Arts Centre, 67 Westgate Road, NE1 1SG

6pm onwards on Friday 24th June, the projection piece being created for this exhibition will be screened at a special event, timed to coincide with Sunderland University’s ‘The Versatile Image: Photography in the Era of Web 2.0‘.

We hope to see you there!